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Everywhere at the end of time
by The Caretaker
supported by 9 fans who also own “Gravis 4. 12/13 (Part I)”
Actually astounding and emotionally moving, creating a community that I have been proudly a part of for 2 years
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With Pulse,Without.
by Kevin Drumm
supported by 7 fans who also own “Gravis 4. 12/13 (Part I)”
I don't know how it does it, but this is another wonderful minimalist piece that is while sonically clear and bright, somehow full of meaning and substance. One of my favourites.
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supported by 7 fans who also own “Gravis 4. 12/13 (Part I)”
Great drone-work by a master of the form. Snippets of mysterious short wave radio broadcasts evolves into huge, otherworldly symphonies related to Ligetis Lux Aeterna, but warmer and more humane. Absolutely absorbing!
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Billennium Soundscapes
by Hot Tap
From Manchester, Hot Tap serves up an album of stark electronics with moody tones and an air of mystery.
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St Celfer returns with tracks culled from a series of live shows, each one a showcase for his inventive experimentalism.
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Infusing live drums with glitched-out guitar fuzz and politically charged bars, Youniss reckons with a world still entrenched in anti-Blackness.
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Everywhere, an empty bliss
by The Caretaker
supported by 7 fans who also own “Gravis 4. 12/13 (Part I)”
Just imagine if these outtakes made it into EATEOT, the project would've been over seven hours! I love how "I Might Be Vanishing" is a stark contrast from other tracks, being only nine seconds.
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